COMPLEXD WOMAN: MELISSA BEAUVERY

For National Peotry Month Complexd Woman presents  Spoken Word artist and second generation Haitian Melissa Beauvery.

 Music was very important when I was growing up. My mother was always nostalgic about the Haiti she remembered and would play the old songs of her childhood and generations before her. She would sit in the kitchen on Saturdays with some of her friends reminiscing about the Haiti they knew and missed. It temporarily transported them back home and allowed them to forget about their strenuous working hours and the cold weather and just close their eyes and sing along with Gerard Dupervil. They had this glow on their faces I could never forget, it made me wonder what was it about their homeland that made them so teary-eyed when the song was finished. Their hearts were clearly still in Haiti and that is what fuelled my passion for learning about who I am as a child of Haiti.

My spoken word is largely influenced by the oral traditions of West Africa, the ‘Krik Krak’ traditions of Haiti and the urban rhythm of the spoken word scene in the East Coast. The different parts of me always manifest through my work, especially when I tell a story. The stories I tell open a dialogue between the different worlds of Haiti and America. There is often a misconstruction between these worlds so I strive to write stories that illustrate both countries. It is very important to me as a Haitian American for my stories to help people understand what it means to have two very different identities.

In a video filmed, directed and produced by women, Melissa Beauvery speaks about her poem, ‘My Grandmothers Tongue’ …


Directed and produced by Francesca Andre/Director of Photography Ashley Panzera

‘The feet of women are already caressing the dusty roads, before the day would have the audacity to appear’

Images titled ‘Fanm Komes’ (Business Women) by Haitian photographer Francesca Andre

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EDITOR’S DIARY: MY ICONS

If you ask me as a Writer; Journalist; Editor  or Creative what inspires me, I would say, ‘people’ every time. Over the past few months we have connected with a lot of interesting Complexd Women for the 2nd anniversary issue and the most enjoyable part of it was the interviewing process. We feature women from all over the world, but when I can meet our UK interviewees it is the most fulfilling experience. It’s the anticipation, excitement, the thrill and satisfaction of knowing that you got on well and the interview was successful. In a feature I did for Iamthenublack I said that people (friends, relatives or strangers) are my icons for making an impact in their own way and in their own world. What I love about the experience is the moment when they search deep down for the most clever answer. The expression they make gives me a glimpse of the real person behind the smartly formulated sentence and that single moment is extremely inspiring.

This video by Benjamin Reece seeks to explore human connections through people and place is a perfect example of what it’s like to be the interviewer.

portraits by Maxi Kohan

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EDITOR’S DIARY: FOUR DEGREES OF SEPARATION

TRUE STORY:

An Artist sold a painting to a client –  that client who is a Complexd reader told us about the Artists painting of Henrietta Lacks, whose cells were used for cancer research – I got in touch with the artist and found out that he had lost many close relatives to cancer – the artist got in touch with the First Lady of Belize as he was touched by her strength and courage. Here you have a perfect example of degrees of separation and how through two people, two other people in completely different parts of the world living completely different lives connected. After a quick chat with Artist Lawerence Childress I can appreciate that courage is not only an act of the sufferer, but the mourner who has reignited their passion and found the strength to carry on after losing so many loved ones.

What’s your background?

 I’m an African-American who grew up in New York. I was the youngest of seven children and spent most of my childhood in Long Island, Harlem, and Patterson NJ and evenings and Sundays in the Church. When I was five my mother brought me a paint by numbers oil set of the Last Supper and from then on I started painting images from the King James Bible. My mother and father were very hard-working and instilled the values within me that I try to live by today. They taught me that if you don’t stand for something, you will fall for anything. That’s where I get my drive to make a difference in my way.

What inspires you?

I do believe that art is a universal language shared by all people, and is a bridge that connects all of humanity. My inspiration comes from every day life, my imagination; interests; spirituality, my children, family, friends, social issues and my environment.

What is the reality of being an Artist?

 My art does not sustains me 100% so I am also a Realtor, Industrial Designer and Artist. As a full-time artist I would have the freedom to follow my passion and create when I wished. However as it stands, I still practice real estate and take on design jobs such as creating stage designs for theatrical plays, commercial entertainment and space and furniture design. I continually strive to spend as much time as I can in my studio.

How does the cover story in the current issue relate to you?

I’ve lost a few family members to cancer. I lost my father at fifteen, then my grandmother, eldest sister, my brother, and several aunts and uncles.  Whenever I lose someone close to me, I find it very hard to create. I have been through periods where I simply could not find it within myself to create anything for months at a time, especially after the loss of my mother, father, grandmother and siblings. When I look back and try to understand it all, I think its simply comes down to going through a mourning period.  I don’t think that I will ever truly get over the loss of my family members who were near and dear to my heart, I just think that I have simply learned to cope with it and lean on my spirituality to get me through it all.

Tell me a bit more about your piece titled Immortal?

‘Immortal’ was inspired by the story of Henrietta Lacks. I was asked by Holly K. Hurd the owner of ArtBlaque to create a piece in honor of her legacy. Henrietta was an African-American woman whose cancerous tumour was used as a source of cells which was later named the HeLa cell line. Because her miraculous undying cells were perfect for medical and biological research, the hospital that funded the research have undoubtedly made millions as a result of it while members of her immediate family lived in and presumably still live in poverty.  They treated her like a guinea pig without her consent and then profited from the outcome. It is one of many stories that I am aware of that highlights the injustices that has been perpetrated against African-Americans and is absolutely reprehensible.

You recently set up a fund-raising programme called ‘Have a Heart Through the Arts’, tell me a bit more about that?

My goals for ‘Have A Heart Through The Arts’ is for it to be recognized as a charity that is making positive change in communities all over the world dedicated to the general welfare, education, and empowerment of all people. We aim toutilize all facets of art to achieve goals and to create partnerships with non-profit organizations, that fit within our mission statement, and help them raise funds for their organisations. All non-profits rely on contributions from supporters, foundations, philanthropists, and the public to sustain their operations and carry out their missions. ‘Have A Heart Through The Arts’ simply offers an opportunity to raise funds through the arts which in turn achieves the same goal. By creating fundraisers through the sale of artwork, and promoting of plays, dinner plays, concerts, films we are able to give the public with a form of artistic cultural awareness, enlightenment, enrichment, and entertainment while simultaneously raising money for charity.

 To find out more about Artist Lawrence Childress and view is artwork visit http://lchildressart.com/

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COMPLEXD WOMEN: CUBAN GIRLFRIENDS

In the Woman of Strength issue female photographer Ausra Osipaviciute talks honestly about what she discovered from her travels in Cuba and the reality for some Cuban women.

‘Sex service providers in Cuba are called ‘jineteras’ and surprisingly some of the young women involved are well-educated medical students or doctors because a prostitute can earn in a week the equivalent of a doctor’s annual salary paid by the state in pesos. They call themselves ‘Cuban girlfriends’ and usually accompany lonely businessmen on tours of Cuba, escort them to dinner and sleep with them. The practice is widely accepted because the only time a Cuban woman is allowed in tourist hotel is when she is accompanying a foreign man.  Even though it is illegal, the government closes its eyes to prostitution knowing how money is made from foreigners coming for sex and entertainment‘. Read the full article on page 86-89 here

The Cuba Prostitution Documentary by a solo male traveller and his quest to find a Cuban sweetheart, shows the male perspective of ‘Cuban Girlfriends’

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EDITOR’S DIARY: ACTS OF BRAVERY

The University of Belize Baldmiration Campaign was inspired by Kim Barrow’s decision to not disguise her bald head and show the true and honest effects of cancer. Led by Lecturer Dr. Sylvana Udz who thought up a non-verbal way to show solidarity and support for cancer sufferers and survivors, students at the University of Belize shaved their heads bald or dyed streaks of their hair in a brave and bold attempt to raise public awareness about the effects of cancer and importance of getting regular check-ups.

I am extremely moved by the courageous act of Belizean women in support of their First Lady of Belize and Complexd cover woman Kim Barrow. It shows how unified they are as women.  Lecturer Dr. Sylvana Udz speaks about The Baldmiration Campaign on Belizean television.

Images by Will Moreno – see more images from the event here

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