EDITOR’S DIARY: EXHIBITION @ LFW

The Exhibition at LFW houses 110 designers, showcasing 30 new designers for spring/summer 13. Here’s a round up of my favourite finds.

Sold in London, New York, Asia and the Middle East, Willow is a global brand whose Creative Director Kit Willow originates from Sydney. Having learnt to master drapery in Paris, her SS13 collection features goddess style dresses with strong underwear support to enhance the female form.

Irish designer Danielle Romeril’s debut collection displays her experimentation with geometric digital prints, laser cut leather, silver silk lame and Swarovski crystal pearls. She explores her inspiration found in Regency convex mirrors, sliding square puzzles and the photography of John Thompson’s ‘China Series’ through fabric combination and decoration.

Design duo Fyodor Golan sought inspiration from the book ‘Blue Tattoo’ for their SS13 collection. Through the collection, the designers tell the story of the Victorian girl captured by a Native American tribe in the desserts of North America. Each piece combines Native elements with Mayan and Aztec aesthetics. The detailed designs tell the story of her transition from the traditions and customs of the tribe that adopted her to being sold back into White Victorian society.

Top to bottom – Buba London, Mawi, Yunus & Eliza

Top: A range of bags handmade in Delhi and cutely named Calypso are designs by Euan Mcdonald and Lesley Silwood of Buba London. Their collections are inspired by the exotic cultural colours and shapes of Goa to the florescent glamour of Ibiza’s Techno scene.

Middle: Indian designer Mari Keivom injects into her jewellery house influences from travelling to many continents and experiencing different cultures as the daughter of a diplomat. Her collection fuses cutting edge style with traditional influences and old-school glamour.

Bottom: Jewellers Yunus & Eliza designed these organic face sculptures to collaborate with the SS13 collection of label Fyodor Golan (above). Yunus and Eliza are inspired by theatre and fantasy and create  signature sculptural collections that bridge the gap between art and fashion.

Images by Frederique Rapier

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COMPLEXD WOMAN: STREET STYLE @ LONDON FASHION WEEK

Here’s a round up of our favourite street styles from Complexd Women around the globe who have flocked to London for fashion week.

 Abigail Liebovitz, London

Wearing: Skirt – Jones + Jones/Jacket & Bag – Vintage/ Wedges – Asos

‘I love London Fashion Week for the display of innovative style mixed with the culture and history of England, it’s really something unique’

Eve, France

Wearing: Shirt – Topshop/Trousers – boutique in France/ Bag – borrowed

‘I come to London Fashion Week for the amazing FASHION!’

Zoe Noble, London

Wearing: Shirt – Cos/Skirt – Zara/Bag – Phillip Lim/Shoes – Churches

‘For me London Fashion Week is all about taking photos’

Charlie Fiander, Windsor

Wearing: My grandmothers jacket as a dress/Shoes – Vintage

‘I love people watching at London Fashion Week, it’s like the clash of fashion and style’

Tamara McCleary, Caribbean

Wearing: Shirt –  River Island/ Trousers – Topshop/ Earrings – Melody Ehsani/Bag – Vintage

‘The street style during London Fashion Week is definitely my favourite, I love observing the different looks and individuality’ 

Elisa Panizza, Colombia

Wearing: Dress – Handwritten/Jewelry – Mawi/Hat – inherited vintage by Eustaf Nilsson_Lund

‘I love the atmosphere and the people! London Fashion Week is all about wearing what you feel happy in!’

Peony Lim, English/Chinese

Wearing: Manolo Blahnik/Prada/J-Brand

‘Visit my online style diary at peonylim.blogspot.co.uk 

Lueng Liu, China

Wearing: All Tartan Spirit

‘London Fashion Week is a great place to discover emerging trends and celebrate fashion’ 

Camila Coelho, Brazil

Wearing: Blouse & Skirt – H&M/Shoes – YSL/Clutch – Zara/Watch – MK

‘I love the warmth and excitement of the people at London Fashion Week’

Images by Frederique Rapier 

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EDITOR’S DIARY: THE ALIGN PRIVATE FASHION SHOWCASE

London Fashion Week spring/summer is my favourite season! It’s a chance for me to shed the protective layers that safeguard my thin skin and joyfully embrace the sheer fabrics that complement my small frame. So it seemed fitting to start my fashionable week last night at the private fashion Showcase of three iconic designers from the blissful climate of the Caribbean. Held at the Mayfair Hotel’s Amarillo Suite, Project Runway Season nine winner, Anya Ayoung-Chee and clothing designers Meiling and jewelry designer Rachel Ross gave an intimate crowd a preview of their spring/summer 2013 collections.

During this season I fret at the lack of diversity in the on-schedule catwalk shows and non-existent presence of Caribbean designers, but this is slowly changing with organisations like The Trinidad & Tobago Coalition of Services, Louise Laurent PR and Fashion Consultant David Jones, who all pulled together to introduce these strong Caribbean brands to a UK market.

The show started when large doors opened to reveal a regal boudoir draped with three models in sensual silk pieces from the ‘Carnival of Colours’ collection by Anya. This was closely followed by the simple modern cuts of Meiling adorned with Rachel Ross jewelry.

The vibrancy of Caribbean fashion is not everyone’s cup of tea, but the wardrobes of well-travelled cosmopolitan women would reveal that we mix and match trends inspired by cultures around the world more than ever. I asked a varied range of women at the showcase what they thought about the collections and I spoke to each designer to find out how they feel their designs can fit into a European market.

Jo Cheng – Artist – China (Wearing – Zara, Topshop and Urban Outfitters)

 ‘Anya’s collection is amazing and she is a lovely person. Her designs are very elegant and I think they will work really well in Europe possibly in China’

Merci – Designer – Uganda (wearing – all own designs  Merci Me)

‘I appreciate Meiling’s collection; I love the fact that it’s effortless, classy and stylish all at the same time. Anya’s collection is beautiful too, there is definitely room for her designs in the European market and in the African market as-well, a lot of the textures and prints she uses can translate to African culture’

Alicja Sobczak – Jewelry Designer – Poland (wearing – Zara skirt – H&M top – My own necklace)

‘I could see Anya’s designs selling well in big cities like Kraków or Warsaw in Poland, which are big International markets with a diverse range of people who appreciate good fashion’ 

Cola Bling – DJ/Music TV Presenter – British Jamaican (wearing – Dress by Nairobi Children)

‘Meiling’s collection is forward thinking but also very classic. The detail and the embroidery adds to the femininity of each piece and I love her use of bright white’

Charlotte Webb/ Jessica Archman – London ( Charlotte wearing – blue Topshop top and trousers, collar from COS/ Jessica wearing Primark top – river island trousers – red or dead boots)

Charlotte‘I loved Anya’s collection; it’s something I would wear on a night out. It’s sexy but sophisticated as-well and I definitely think it has potential in London’

Jessica‘I can see myself in Anya’s designs in the summer in London it’s beautiful’

                                                                                                                    

Anya Ayoung Chee –The first Caribbean designer to win Project Runway Season 9 and winner of Fan Favorite HP/Intel and L’Oreal prize after showing her Spring/Summer 2012 Collection at Mercedes Benz Fashion Week in New York.

Editor: How has your designs evolved since your Project Runway victory on season 9?

Anya: My spring/summer 2013 collection ‘Carnival of Colours’ is an exploration of the aesthetic of the Caribbean combined with living in New York and Harlem. In this collection I am staying true to myself, but adding elements of my city lifestyle. Before I went on Project Runway, I had no formal training so I was designing not constructing garments. When I started to build up my sewing skills on the show I played it safe with floaty unstructured pieces. The irony of that is, that’s what people love and want! And, I love nothing more than creating easy, flowing sexy pieces that you can throw on with a pair of flats and with the right accessories still look glamorous.

Editor: A lot of women here tonight have expressed interest in your pieces, are there any plans to cater to women living in colder climates?

Anya: I definitely think my designs can adapt with the use of more toned down colours like blue and mulberry. The silhouettes would remain the same making it more suitable for evening-wear, but I’m still fresh on the scene so I’m taking my time before I start entering into autumn/winter collections.  I’m so committed to making this brand what it is and it’s all about island style for now. I would love to see people wearing my pieces all year long, but as a young start up brand I am mindful of what that requires financially. Take for example Diane Von Furstenberg, she didn’t make a fall collection for 15 years and no one expected anything else. My designs are suited to warmer climates, which has opened my eyes to emerging markets that PILAR fits very well in like South Africa, Brazil and Dubai. I am showing my collection for the first time at Johannesburg Fashion Week in October and I am extremely excited about the prospects.

 Image source

Where can we buy your pieces?

The first stop is my website where pieces have been available, but not as frequently as I would like. Over the next few months I will be making pieces readily available in boutique quantities and limited edition lines, as the production is manageable for me right now. My long-term goals are with major online retailers like ASOS, but I’m taking it one step at a time. The ‘Carnival of Colours’ collection is a higher price point, but on my website you will be able to purchase similar pieces at a more affordable price. My dream is to have people wear my clothes not just look at them.  Regardless of Project Runway, as an entrepreneurial designer, this is an ongoing process of making my pieces frequently and financially accessible in boutiques across the Caribbean, US and Europe.

What makes you Complexd?

I am Complexd because I am true to me. In my world that means being true to my aesthetic and taking risk. Project Runway has definitely shown me the benefits of taking risk and learning lessons. During the process of learning it creates all these layers of personal stories and journey’s which when accumulated make you the person you are.

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Meiling Esau – As the Caribbean’s premier fashion designer, Meiling was recently honoured with the Women of Influence Award from the most influential networking woman’s group in the Caribbean, The Association of Female Executives of Trinidad & Tobago. 

Editor: Tell me about the history of your brand Meiling and how it’s evolved over the years?

Meiling: The brand has been entrenched in Caribbean fashion for over 30 years. It all started in the sixties when I returned home after studying fashion in London and couldn’t find anything to wear. Like everything else in fashion, the timing was right and I launched my label. The name became known because I was the first of many young designers on the scene and TV personalities started to wear my clothing.

Since then it has always been my aim to push myself so that Meiling Inc. remains relevant, new and fresh in the industry. I always try new things and when I started to dress celebrities and entertainers in the Caribbean region, it opened the market and allowed me to launch trendier diffusions lines for a younger audience like Z-Meiling. Over the last few years I have been designing another label called MSquared – a line based on the H&M model with a distributor in Trinidad with seven shops. Last year I ventured into sleepwear and home wear, which gives my clientele even more options under the Meiling brand. I recently co-found 6 Carlos magazine – a content heavy art, culture and fashion magazine that is relevant to anyone who is interested in world topics, but also wants to learn a bit more about the Caribbean and artist from the Caribbean.

Editor: What does your brand mean to Trinidadian women and how can it fit into the European market?

Meiling: I am now dressing four generations of Trinidadian women. I designed Anya’s mother’s wedding dress and I will be designing hers. When the name became established, Trinidadian women wanted to own and wear a piece of my clothing. The brand is very special to Trinidadian women, but I have also established the name outside Trinidad. In 2008 I was given the ‘Grand Master of Fashion Design Award’ at Caribbean Fashion Week in Jamaica. Anyone in Europe can take a piece from my resort line and adapt it to suit their city wardrobe. It’s just about how you team it together, which is why I refer to myself as a designer who happens to be living in the Caribbean.

Image by Gary Jordan 

Editor: What legacy do you hope Meiling Inc. will leave in the Fashion Industry?

Meiling: People will always say she was an amazing designer, but I want to be remembered as someone who has mentored and encouraged emerging talent. I teach a nine-week BA course at the Fashion Academy in Trinidad and I prepare students producing their final collections. I am always willing to help, give advice and share my expertise. I always tell my students, you’re only as good as your last collection and you cannot rest on your laurels. You have to constantly push yourselves. I have worked very hard and because I have a shop, I have to produce two retail collections every year. I’ve been doing that for the last 30 years and these collections are not just to look at, they do sell. I didn’t get where I am today by not working. One of my biggest aims is to be working at 90 years of age and still be relevant.

Editor: What makes you Complexd?

Meiling: I’m a Complexd woman because I have no patience for sloth. I am extremely punctual and fastidious about my whole lifestyle and my mind works all the time. I’m a workaholic, my work is my passion and it comes first.

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Rachel Ross – Talented Trinidadian Jewelry designer Ross aims to facilitate the introduction of the Same Sky initiative in Trinidadian market – A company whose aim is to empower women by giving them the tools to become entrepreneurs and lead self-sustaining lives. 

Image by Tony da Silva

Editor: What has been the feedback from your debut showcase in London tonight?

Rachel: The feedback has been fantastic and I am pleased to say it’s been really encouraging. It’s a finicky world, you never know who is going to like what and how people are going to respond, but everyone seems excited.

Editor: What inspired this jewelry collection?

Rachel: The selection of jewelry on display show a range of what I do as apposed to being a collection. Most of my designs are hand-made, we do a little bit of casting, but I don’t mass-produce so most of my pieces are one-offs. I’m inspired by materials sourced in everyday life, which I love turning into gems. For example, I made a brass cuff with an oyster shell on it, the oyster shell has become my gem and within it I have set cubic zirconia in silver. That combination is what I think is unique about Rachel Ross jewelry. Not many people will use that combination, but I love the raw element and mix of textures, which gives life to the pieces.

Editor: What would be your advice to aspiring Jewelry Designers?

Rachel: I became a Jewelry Designer by accident. I studied Geology and never finished my degree so I went back to Trinidad. I got into jewelry making after observing the work of a friend’s brother, who was also a jeweler. I was always very artistic and jewelry making just felt right and I’ve been doing it for 25 years. There are two key ingredients for being successful in the jewelry business, one is certainly hard work and the second is having something that sets you apart from everybody else.

Image source 

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COMPLEXD WOMAN: MALAIKA BROOKS-SMITH-LOWE

Name: Malaika Brooks-Smith-Lowe
Age: 25
Place of birth: Grenada

Current residence: Calivigny, Grenada

I was born in Grenada and I’ve lived primarily between Grenada and the east coast of the United States. My family also has Jamaican heritage so I describe myself as a trans-national Caribbean woman. My family is not perfect, but we are very close. My parents have given me the freedom to let my passions and creativity flourish, they nurtured that and for the most part have always trusted me to make my own choices. Neither of my parents have one single focus or commitment, there are many other things that excite them. I am definitely the same, for as far back as I can remember, I have treated life as an exploration.

I run Spice Harmony Yoga Studio with my parents, who are certified yoga instructors while working on my second degree – a cultural studies thesis on memory and the Grenadian Revolution for the University of the West Indies, St Augustine. I am committed to community development and social justice and other ventures I have started like Groundation Grenada Action Collective and The Grenada Goat Dairy Project . Because of this my days vary greatly, but most mornings I wake up around 5am and teach yoga classes.

I’m more productive at the beginning of the day so I wake up early to get the most important tasks done first. By the early afternoon I teach an evening yoga class and relax. I’m a Pescaterian and my dad is an organic farmer so I eat his fruits and vegetables all day long. I feel the difference in my body and in my whole approach when I am being mindful of what I put in my system.

It’s hot in Grenada, and I like my freedom so I wear wraps (sarongs) a lot. I’m often in yoga clothes because I teach quite a bit, but also because they are so comfy. Regardless of what article of clothing it is, I am drawn to softness, colour and funky patterns. I recently joined The Grenada Goat Dairy Project as Director of Public Relations last year so if I need to get down with the goats, practicality is my first priority when it comes to my outfits.

The Grenada Goat Dairy Project (TGD) was established in 2008 under another organisation called The Grenada Project and TGD officially became incorporated as a non-profit in 2011. Our cofounder Christine Curry, wanted to develop a sustainable business that would be economically and environmentally friendly that could also be plugged into the community. You have to be connected in order to provide relevant, hands-on education and support and not enough is happening on the ground to support gardening and farming, but also to raise awareness about how crucial it is to know where your food comes from. Our communities are trading their environment and their health without taking into consideration all of the facts, so as an organization our aim is to build awareness about the issues and offer practical alternatives.

Our product’s cover about 70% of our operating costs so far. The demand is higher than our supply, so we are working towards building our capacity so that we don’t have to rely on funding and so that our education and demonstration facility can financially support itself. The truth is it doesn’t have to be a massive industry to sustain itself. In a small place like Grenada, we can show that these intimate, supportive, environmentally conscious entities can fuel the economy.

When we raise the funding and implement the programme, it is my hope that we can influence young people’s attitudes towards farming and agriculture. I also want it to be able to change their perspective on what a full and successful life looks like. We are being sold this idea that living well is about the ability to consume as much as possible. I want to share the idea that living a life with a sense of what you individually want and need, goes hand in hand with being compassionate about all the other beings that we share our resources and planet with. Farming and agriculture on a whole is a way of creating the highest quality fuel for our dreams and being considerate of our ecosystem as we do it.

We are still in a foundational stage with the Goat Dairy and it’s a lot of work to keep the project afloat and to get it to the stage of being self-sustaining. It still surprises me that we have not had any support from the government, but it has provided us with an opportunity to show that nothing will get done if we sit around and wait for the perfect equation. We need to set the tone as a society about what we feel is important and our governments and institutions will follow our lead. 

I stay motivated because I see food security as a solution to a lot of the issues that Grenadian society is facing. We are in need of economic growth, jobs, improved health and dynamic education systems. For me, all of these are linked. Focusing on creating high quality, nutritious (and delicious) local food and discussing all the issues that affect and inform that production, can influence the growth of our society in a positive way.

I love my sensitivity, usually an attribute of women, but I think that anybody can have it. For me, this sensitivity forms a foundation in so many aspects of my life, from my creativity and critical thinking, to the ways that I love or allow myself to be loved. It isn’t an easy energy to keep in balance, but when I do channel it in a healthy way, it works for me and allows me to grow. My advice is, allow yourself space for honest self-reflection so that you can have the room that you deserve for growth.

I am Complexd because I embrace me. Even when I see my glaring mistakes, I have to eventually turn around and show myself self-compassion before I can ever wish to live a life overflowing with love.

The Grenada Goat Diary School Project has 20 more days to go to raise their $55,000 goal. So far, 146 backers have pledged $18, 789, visit their Kickstarter page here to find out more and support this project

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EDITOR’S DIARY: FASHION NIGHT OUT 2012

We are all excited at the Complexd HQ because tonight is the 4th annual Vogue Fashion Night Out in London and around the world. Celebrated in 18 different countries, it’s a night for both consumers and retailers to make a big effort in the celebration of fashion and all things voguish.

Last year I sashayed through the streets of London surrounded by the bold, beautiful and fashionably delirious. This year I plan to join in with the intimate celebrations at Orla Kiely flagship store to witness the launch of the AW12 party range.

I spotted this dazzling top at Orla Kiely’s presentation at London Fashion Week in February. In the style of an afternoon tea dance, the collection was presented on models and dancers, not far-off from scenes in James Clavell film ‘To Sir With Love’, where the designer got her inspiration for this collection.

 Orla Kiely Tea Party presentation photographed by Kris Atomic 

With a gold textured fabric at the front and sheer silk organza adorned with a tiny dragonfly print at the back, I can’t wait to style this stand out piece with something simple.

Along with drinks, canapés and live music, the wishes of three lucky shoppers will also come true. Whatever they wish for, they are guaranteed a modern/retro piece that effortlessly finds its place between the elegance of the 50s-60s and architectural structure of today’s fashion.

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